Undoubtedly, my highlight of this
weekend has been the Swing & Bass livestreamed house party. Set over two
days, this is the first livestream I’ve attended which has genuinely felt like
a real festival, and the line-up was second-to-none. Featuring the likes of
JFB, Mr Switch, Duke Skellington, WBBL, Extra Medium, Skank Spinatra and many
more – and lasting over twelve hours in total – the event was a fantastic way
to spend two evenings in a row. One of the absolute highlights of the show was
X-Ray Ted, who played an early set on the Saturday evening – fairly well-timed,
as he had just released a new EP the day prior, On the Floor.
The EP kicks off with the title
track, which throws you straight in with that funky sound, with a bit of a rock
’n’ roll feeling too. For such a short sample – effectively a one-bar guitar
lick – it’s impressive to see just how much is done to successfully maintain
interest over the piece, and it never seems to lose steam. The song has such a
great groove, which works considerably well alongside the beat – both from the
standard drums, and the additional percussion; and it’s clear that once this
can be played out in the clubs, the quoted lyrics “get on the floor” are almost
certain to be obeyed.
The next track, ‘Chopsy’s New
Groove’ starts off on a blues vibe, which is complimented by the emergent funk
in a really smooth way. Again, working with short samples is what X-Ray Ted appears
to do best; and he seems to be a master at this cut ’n’ paste technique. There’s
a really groovy saxophone solo over a terrific bassline – which is subtle, but
effective. It demonstrates that not everything has to be in-your-face all the
time to have an impact; in fact, across the board, the mix is great. I really
like some of the understated syncopation too – a nice touch.
And then – we’re finished. A
surprisingly short release; to be honest, I’d be more inclined to call it a
single than an EP – but this is the way it’s marketed, so this is how I’ll
refer to it. X-Ray Ted is a great producer to have in this scene, and I’m very
glad we’re being kept entertained with little releases such as this one – even though
I do wish it were longer. As part of a particularly prolific group of funky DJs
in Bristol, he’s certainly in strong company, and releases of this quality will
continue to ensure that he remains one of the most compelling.
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