The Reach opens with ‘Beasts Of One Nation’. Bass, drums, scratching: it’s all here immediately, signalling their unique and funky sound. The distinctive brass section is also strong, bringing a positive atmosphere, whilst MC Skunkadelic’s deep voice couldn’t fit the sound any better. Halfway through, the keys and sax add a distinctively jazzy flavour, which is a nice addition too. The piece manages to come off sounding like both a party tune, but simultaneously, just as meaningful-sounding as it is fun. ‘Black Hole’ begins with an electric organ which continues throughout the whole thing, and the interplay between the brass and vocals is excellently constructed, whilst DJ Veto showcases some skilful scratching as well. And Skunkadelic has an excellent flow; it’s not inconceivable that he could come to be recognised as one of the best rappers in the contemporary British scene. Next up, ‘Criminal’ sets us off dynamically, urging us forwards into the song. You’ll feel yourself waiting for the brass, and it does not disappoint. Whilst having something of a laidback feel to it, it remains sufficiently active and lively, and as it continues, it builds further and further – the energy just keeps on growing. Towards the end, each of the horns takes some some great solos as well.
‘Stamina’ is a good title, which sets a tone of anticipation before the song has even begun, and the introductory guitar builds upon this notion. There are some fantastically syncopated rhythms utilised, and every instrumental line has been thought out thoroughly – nothing’s been done even remotely lazily or half-hearted. And then ‘Back Into It’ brings one of the highlights of the album. This was released as a single back in March last year, and features the vocals of rapper Ty, who sadly died just a few months later. ‘Back Into It’ is the first track that’s genuinely laidback, and not deceptively so. It’ll still get you moving though, and you’ll find yourself naturally swaying back and forth completely involuntarily. There’s a fantastic chorus – very very catchy – and the song demonstrates some really solid lyrical talent as well, with powerful lines being spit at every opportunity. Ty’s verse is excellent; his voice fits with both the band, and alongside Skunkadelic, and he brings his own set of brilliant bars. And next, ‘Ikebe’ features a real strong influence of West Africa harmonically, with more polyrhythms as well – to the point where it’s not always easy to locate the strong beat. It’s another great scratching showcase, and in fact, I’d also argue that this is the best showcase of Skunkadelic’s vocals – they’re flawless – and the powerful lyrical themes from the last track are continued here too.
We next have something of an interlude with ‘AC Factor’ – a short, chilled track, with plenty of samples. There’s a very strong jazz influence here, and the track really manages to continue and develop the sounds of modern jazz – although I am a little bit surprised by how straight the brass-led bassline is played. Following, ‘Cardigan’ is similar to ‘Beasts’ in that there’s something of a rock influence to be found. It’s a funny song as well, demonstrating the band’s propensity for humour – and I love all the little lyrical references to Wales that an outsider might miss. Afro Cluster bring such an incredible atmosphere to every song – the entire sound just feels 100% complete; they don’t miss a beat – metaphorically, or otherwise. And more funky basslines then introduce ‘Heavy G’. They’ve established their sound and they’re sticking with it – and who can blame them, when it’s as good as this. Skunkadelic’s flow is superb, especially in the verses; and the brass sections jump in and out at the most consistently effective parts. There are some pretty heavy guitar parts as well; and ultimately, why not?
‘Foot To The Floor’ is one of my favourites. I love any band that experiments with complex time signatures, and the majority of this song is played in 7/4. The trick of leaving out the expected beat works exactly as it should, ensuring the song is constantly driving forward, and every instrumental line fits organically within this mould. And special shout-out to anyone who can rap over this too. The title track, ‘The Reach’ is left almost to the end, featuring rappers Sparkz and Truthos Mufasa, who both bring a different feel to the band. There’s a change-up of pace for this one, and it’s an unusual choice for a title track, being somewhat downbeat, and I wonder if it’s been picked more for the semantics of the phrase itself. Some really good brass lines though. And finally, ‘Young Shall Grow’ features more strong African influences, particularly through the percussion used, as well as some great polyrhythms, and some really compelling harmonic choices. From the off, you can tell this piece is going somewhere interesting. Whilst the vocal rhythms are fairly simple, when positioned against the music in the way they have been, they’re incredibly forceful, and I just want it to continue indefinitely. The song also features the vocal talents of both Magugu, and Asha Jane, who’s voice is especially beautiful. And there’s just such a wide array of influences on display – the later breakdown almost has elements of prog rock to it even. It’s a really excellent track, and a great choice to finish on.
Afro Cluster are a sensational band. There really isn’t a single other act who can compare to them in terms of the sound that they put out. It’s big, bold, it’s catchy, it’s relevant, and it’s smart. And they clearly have a great time making it. Every time I’ve caught them live, the show has been impeccable, and this aptitude has undoubtedly translated over onto the record. It’s been a while since We Don Land, the band’s debut EP came out in 2016, and the band haven’t relented one bit in terms of their dynamism. It’s a sure thing that they will continue to do fantastic things in the future, a prediction which can only be confirmed through releases such as this one.
The Reach is available from 19/02/2021.
